Directing Portfolio
A look at some of my work as a director, the productions I've been fortunate enough to direct, and how I approach the work.
The Work Begins Before Rehearsal
I believe most of a director's job is done before the first rehearsal ever begins. That's when I need to figure out why we're telling this particular story, find the right point of view and throughline, and understand what the play is really about. Then it's about putting together the best cast and creative team I can find to bring those ideas to life. Every play is different, so I don't believe in bringing the same formula to every production. You have to figure out what the play needs first.
Come Prepared, Then Listen
Once we're in rehearsal, I come in prepared and knowing where I think we're going, but I don't want every moment decided in advance. Actors need room to bring their own ideas and instincts to the work, and designers need the same freedom. I hired them because I trust what they can bring to the production. My job is to keep us moving in the same direction, recognize when something is working, and also recognize when it isn't.
The Little Things Matter
I'm also a very critical audience member. It doesn't take much to pull me out of a scene. An inconsistency, a reaction that doesn't feel right, a missed opportunity, sometimes it's something very small. Once I see it, I can't unsee it. I bring that same critical eye to my directing. I'm always looking for those little things that can take an audience out of the story. If something doesn't make sense, we figure out why and fix it. Those details matter.
"Wes Martin is a collaborative and inspiring leader who brings out the best in his colleagues.""
Chris Hamby - Executive Director, TheaterWorks